03.14 vinyl podcast - Placebo

Once again I have to apologize for the break from my usual schedule this past week. I won’t give you an excuse, but if I did, it would involve a sick cat, a four-digit vet bill and an aborted vacation. Anyway, I intend to make it up to you, and I think today’s track should go a long way in doing just that.
On this show, I’m going to play a song called “Aria” recorded by a Belgian group called Placebo. Now before anyone starts making plans to rob me, I have to admit that I’m not playing this off of the rare and valuable 1970s vinyl, but rather off of a 1999 compilation, Marc Moulin: The Placebo Sessions on Counterpoint Records which has itself gone out of print in the past few years.
Placebo was helmed by keyboard player Marc Moulin, who’s had quite the career. With Placebo, he created a sound that was unique and modern, bringing together the rhythms of contemporary rock and soul with jazz in a style that managed to be uncompromising. The songs are challenging without sacrificing accessibility, they showcase musicians of the highest caliber, they’re dramatic and joyful and precisely arranged, and throughout, they maintain an unflinching groove. If you haven’t guessed by now, this is one of my all-time favorite groups. Before you go off and try to find any of Placebo’s albums, I should warn you that there’s a current group recording as Placebo, and while they appear to have a large and loyal following, and have been recording for the better part of ten years, if you pick up one of their albums looking for funky jazz, you’ll be sorely disappointed.
The Placebo I’m showcasing here only recorded three albums, from 1971 to 1974. Marc Moulin went on to record another fantastic jazz album under his own name in 1974, before completely switching gears in the late ’70s, forming the band Telex. Telex’s Kraftwerk-inspired sound garnered them some chart success, in particular with the track “Moskow Diskow” from their 1978 album Looking for Saint-Tropez. That song is an early synth-pop track which prefigures acts like New Order as well as the late-80s house and techno movements. I’ve got that one in my collection, so maybe I’ll play it on a future show.
More recently, Marc Moulin has been recording again under his own name, and in the past couple of years he’s released two albums of house-influenced jazz (or maybe it’s jazz-influenced house). Anyway, it’s reminiscent of St. Germain, and is a little slick for my taste, but I bet he’s doing well for himself licensing the tunes for European commercials.
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March 15th, 2005 at 5:59 am
just tanks for your job,
your marvelous
somethink like a brother
i’m french
March 18th, 2005 at 8:06 pm
You’re going to think I’m crazy, but there were parts of that that sounded just like Chicago. In fact, there’s a Chicago song — I wish I could remember which one — that has sections that are almost an exact copy. Now, who’s copying who, I’m not sure, since they both date from about the same period.
March 21st, 2005 at 10:04 am
Thanks, Laurent! Glad you’re enjoying the podcast!
Marc, I guess I’d be reluctant to say that either group was copying the other. Seems to me that Chicago and Placebo each came at their music from pretty different directions. The premise of Chicago was the addition of horns to a rock band. Placebo grew out of more traditional jazz, and added elements of rock and funk. That said, though they came at it differently, the end result is some kind of funky-jazzy-horn-rock thing in both cases. Anyway, I might have to revisit the couple of Chicago albums I’ve got in the stacks. Thanks for listening!
December 22nd, 2005 at 4:54 pm
Just to tell you that Marc Moulin and his friends Dan/Michel (TELEX) just remixed Depeche Mode on last album and…
New TELEX album after 20 years…
check telexmania.com fan site
enjoy